TC-Helicon is the branch of the TC group that specialises in vocal effects, so it comes as no surprise to find that the harmonies sound really good whether they're being generated from your guitar chords or via a key that you've selected. The effects sound classy with the default sounds, but there's variety available if you want it, with three options for each FX type and four variations on the doubling effect. If you have just two favourite settings, you can switch between them with the left footswitch and not have to worry about touching the pedal at all. The centre detent positions of both the FX and harmony knobs provide a balance that works well, but it's an instant fix if you want slightly less harmony or the reverb off completely. Quick level tweaking is possible via the knobs. The right footswitch turns the harmony and doubling effect on and off but keeps any effects that you may have added to your voice (holding it down engages bypass and accesses the onboard guitar tuner). Tweaking the Harmony-G XT's 10 presets is pretty straightforward and, once you've programmed in the combinations of harmonies, doubling and effects that you want, onstage use should be easy enough.
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TC's VoiceSupport software is included and is designed for backing up and restoring user presets and installing any updates to the pedal. You can also use a guitar to manually set a key by playing a chord and holding both footswitches down.
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The idea is that you play your guitar to generate vocal harmonies, although there's also manual selection of scale and key for singers without an instrument or horn players. A thru jack takes the guitar signal to your amp, although it can be mixed in with the voice signal if required and share the reverb, the relative levels set by a knob that has an auto setting and an area in its travel when the guitar is muted. On top of this you can engage the double button, which activates a doubling effect (with four different options) on your voice that you can use alone or in tandem with the harmony voices, and there's a tone button that with a single press adds what TC calls 'Adaptive Live Engineer Effects' - a combination of EQ, compression, de-essing and gating - to smooth the vocals.Ī double press on the tone button engages the automatic pitch correction if you want to add that in as well. The levels of the effects and the harmony voices are set by separate knobs and each of the effects has selectable variations.
You also can have no effects or a choice of hall reverb, room reverb, echo, slap, combi or SFX. Voice 1 offers higher, high, low, lower, bass or octave up harmonies, while Voice 2 replaces the octave up option with octave down. I am stumped here.You get two harmony voices (Voice 1 and Voice 2), each of which can be chosen from six options or simply be inactive. It obviously isn't a cable issue as the scanners connect and transfer all of the other data. I did take the 325P2 to work with me this morning and I have a Win 8 machine with ARC XT Pro loaded onto it - works fine! Both gave the same result - I wasn't able to transfer the trunk system frequencies. I did this with 2 different computers running Win 10 - the new laptop and a small netbook tablet used to monitor the MOSWIN control channel. And it was back to having "0.00000" in the scanner.
Verified that the frequencies were displayed, saved the system, and then uploaded it to the 996P2. I even hand entered into the 996P2 the frequencies for a system, verified that it was locking onto the control channel, and then downloaded that into ARC XT Pro.
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I can connect, upload, and download to a 996P2 and 325P2 scanner and everything will transfer both ways except the trunk frequencies for all systems! The TG's, Quick Keys, UID's, and conventional channels all upload/download just fine - but in each trunk system all of the frequencies show "0.00000". Having an issue with ARC XT Pro and Win 10 - I had to replace my Win 8.2 laptop with a new one running Win 10.
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